I do.

If it’s not on your radar, the gist of it is that the people who write all the entertainment content we consume have been on strike since 5/2/23. They are part of the Writer’s Guild of America. They’re striking because while the head honchos who helm the shows and movies they write are raking in excessive amounts of cash, the writers are being short-changed.

These writers deserve better.

What’s interesting to me is that for a bunch of different reasons, we are now living in a “gig” economy. Yet, writers in Hollywood have been a part of this employment model for as long as they’ve been in the business. The jobs they have are not ones in which they punch a clock. They are not jobs that offer long-term stability. Their work is project-based. They often have lags between writing gigs. Similar to those in the teaching profession, who typically have summers off, they are in a position where they have to stretch their income to cover expenses and keep a roof over their heads during those “in-between” times. That has got to be stressful.

I feel for these writers. They are underpaid because they are underappreciated. Thankfully they have a union and the wherewithall and support to stage this strike. I hope they are successful.

None of the tv shows or movies we have enjoyed over our lifetimes would be possible without writers. Their imaginations, skills with writing dialogue, and ability to collaborate with other writing colleagues and various staff on projects are what give us viewers the range of entertainment we enjoy today. The writers are the heart of the content we consume. None of it would be possible without them.

Full disclosure: in my fantasy life, I am one of these writers. In real life, I am simply a humongous admirer of these writers.

Because of this interest I’ve always had in being a creative writer for tv and film, I geek out when I encounter the kind of dialogue and storyline that I wish I would have written. For example, if I’m watching something where the writing just dazzles me, I will google the names of the writers responsible so that I can learn more about them and the other projects they’ve contributed to. My keen interest in writing for tv and movies led me to take online Master Classes to learn more (one with Issa Rae and another with Judd Apatow).

But enough about me and my fantasy tv-writing life.

One way to think about it, as viewers of tv and film, is that while this writer’s strike rages on (side note: per BBC yesterday, the actors union, SAG-AFTRA has a contract that expired at midnight, so they may join the writers in striking), we can choose to view great content via cable, streaming, or in the movie theaters that we haven’t yet seen. To remind ourselves of the value of quality writing, and stave off our yearning for new seasons of our favorite shows and movies that had to halt production as a result of the strike.

I know on this blog in the past I’ve gone on about specific tv shows or movies I have loved and why. I’ve shared ideas of films I’d love to see made. But now, I’m going to give you a little list of the shows that I highly recommend based on the quality of the writing that made them so *chef’s kiss*.

Some of these shows I’m about to recommend here potentially have more seasons in them, depending on the result of this writer’s strike. Some of them have concluded their runs but ought to be watched or re-watched (note to self, go back and watch this specific episode) in honor of the stellar writing. Either way, we all ought to root for the talented writers who produced these shows.

• “The Bear”, streaming on Hulu. Why? The chaotic realism in the dialogue and the 3-dimensional characters.
• “Somebody Somewhere”, streaming on Max and Hulu. Why? It’s a beautiful display of adult friendships in America in these times. The words that come out of the character’s mouths feel real, like how we actually converse with our friends. Their stories are relatable.
• “Grace and Frankie”, streaming on Netflix. Why? The zingers, the hilarious interactions, and the dialogue display the unique connections each character has with all the other characters.
• “You” on Netflix. Why? I’ve never seen anything like it. It’s dark. The dialogue is sharp, the story moves along swiftly, and is completely engrossing.
• “Crazy Ex-Girlfriend”, streaming on Netflix. Why? Rachel Bloom, comedic writer, and performer extraordinaire. It’s completely outside the box, terrifically entertaining and inventive. It’s also great story writing about adult friendships, like “Somebody Somewhere”.
• “Hacks” on Netflix. Why? It’s about comedic writing. The process, the ups and downs of this career path. It’s witty and charming and is at the top of my list of shows I most wish will have a Season 3.

Because I’m not only an admirer of great tv and film writing, but an enthusiast of the perfect melding of song with scene and characters, I’m ending this blog post with performances of songs plucked from a couple of the shows I’ve recommended above. Sometimes the right music choices in tv and film are the icing on the cake.

Strike On, Writer’s Guild writers!!

***Featured image at top of post courtesy of https://www.hollywoodreporter.com/business/business-news/entertainment-community-fund-requests-writers-strike-1235529858/***